The project has begun with the repairs photos folder I found on the internet. I was sorting them by categories and then it was more of a procrastination. Further, I decided to use construction and building materials in my installations and during the process I realized it was the way to understand and feel my inner reconstruction, the way to live through crisis.
The room in installation is an existential shelter for inner events fixation through the reconstruction of repairs. My installations photographs are the continuation of photo archive, found on the internet. Their combination detects flickering of borders between inner and outer, imaginary and real spaces. Photography is fixating duration and immobility of changes. Watching the permanent repairing process is becoming a self-value.